They made a name for themselves as uncouth heroes of pop-punk and potty humor, they were the soundtrack for a generation of hooligans, they toured the world, they built an astronomic fan base and they broke countless hearts when they split up in 2005. Now, after an agonizing eight-year hiatus, Blink-182 is finally back with an unconventional new album, “Neighborhoods,” which courageously ventures in the same direction as Blink’s 2003 self-titled album. It’s mature and stunningly progressive.
Travis Barker, one of the most prolific drummers of our time, is consistently astounding on every track. Guitarist Tom DeLonge has grown immensely as a proficient songwriter, as demonstrated in the tracks “Ghost on the Dance Floor,” “Snake Charmer” and “Wishing Well.” Last but not least, Mark Hoppus, bassist, brings something different to the table: the dark style of lyricism that distinguishes the past two Blink albums from the rest. The three of them come together in an extraordinary display of musicianship.
At some points, it’s pretty obvious that the album was recorded disjointedly with different members in different studios like during the songs “Kaleidoscope” and single “Up All Night.” Instead of clashing, however, the distinct characteristics harmonize in a uniquely Blink-ish way, and those songs are some of the best of the record.
While some nostalgic fans had hoped for an album reminiscent of old-school Blink, the band’s new approach is still energetic and angsty, and anyone who’s been to a concert recently can confirm that the guys have not let up on the sophomoric poop jokes. Also, the tracks “Wishing Well” and “MH 4.18.2011″ are pop-punk masterpieces that any fan can enjoy.
I’m left with only one question: have I been singing “Snake Charmer” obnoxiously in the shower and playing the whole album on repeat for a month because I’m just a total dork about this band? Or is it just that good? Probably both.
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